Tag Archives: Theatre

Corpse? I nearly died: a rehearsed reading of Steven Berkoff’s new play Upstairs at the Gatehouse

Sunday 11th June 2023 Jean-Paul Satre claimed that ‘hell is other people’. In this rehearsed reading for one night only Upstairs at the Gatehouse, Steven Berkoff has taken it up a notch with his depiction of purgatory as an eternity … Continue reading

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See it safely:  Has caution made theatre an endangered species?

PROLOGUE We began drafting the post below some time ago, at a time when we were wondering if we would ever blog about theatre again. Our last theatre visit took place a week before theatres were closed in March 2020, … Continue reading

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Many ways of going forward, but only one way of standing still*: Things we want to say about disability and theatre

Last month we went to see a play at the Park Theatre, ‘Kill Me Now’. We enjoyed the play and the production, but we did question whether an able-bodied actor was the only option to play one of the key … Continue reading

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Car crash theatre: Why won’t the critics defend quality in the West End?

Apparently, Lindsay Lohan has finished her West End stint as Karen in David Mamet’s ‘Speed the Plow’, and she is so delighted with how it all went that she is now contemplating a second Mamet play.  ‘One Mamet down’ she … Continue reading

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Pandora’s box office: Theatre ticket agencies go viral

Do we even need to write a post on this topic, we ask ourselves?  After all, most of the time, we avoid ticket agencies as much as we can. However, seeing this picture of Sir Howard Panter in the papers … Continue reading

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West End previews: Audience-sponsored rehearsals or public performances?

With the opening of Tim Rice’s new show ‘From Here to Eternity’, we had the rather interesting juxtaposition of Rice, outspoken as usual, criticising the practice of endless previews, whilst the producers of the show did their best to convince … Continue reading

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Nothing will come of nothing: why actors need to be paid for their work

Here’s a question: what’s the one thing you can’t do without if you want to put on theatre?  Actors.  And which category of worker is least likely to get paid when budgets are tight?  Yes, you’ve guessed it, actors.  Why … Continue reading

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So much for the Olympic spirit – Andrew Lloyd Webber throws away the baton for team West End theatre

Speculation about how the Olympics will affect West End theatre has been going on for some time, although an article in ‘This is Money’ quoted by Mark Shenton in his Stage blog in November brought matters to a head by suggesting the … Continue reading

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Rage on stage: Who will rid me of these troublesome phones?

More than ten years ago, watching Ralph Fiennes as Richard II at the Gainsborough studios, we were astonished to find that near the end of the play, as Fiennes makes his touching final soliloquy, some of the audience members in our row … Continue reading

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The Olivier Awards with Mastercard: a postscript

We wish we’d read the 3rd March edition of ‘The Stage’ before we posted on this topic, but we didn’t, hence this postscript. We were somewhat surprised to read an interview by Alistair Smith with Julian Bird, the chief executive of … Continue reading

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Cry God for Larry: Mastercard Hijacks (sorry, relaunches) the Olivier Awards

So, thanks to a cash injection from Mastercard, the Olivier Awards are to be relaunched.  When were they unlaunched?  According to the presspack, the awards were named in 1984 after Sir Laurence Olivier, “One of the greatest stage actors of … Continue reading

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More on critics’ quotes and prison for those who distort them (not!)

We started to get curious after receiving a marketing email about ‘The Children’s Hour’ and actually looking at the reviews.  Then a reader gave us a link to an article about EU legislation which threatens prison for anyone who uses … Continue reading

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Theatre-goers ripped off yet again

The Independent on Sunday (16.1.11) carried an article highlighting the latest method for ripping off theatre-goers – ‘premium pricing’.  This is the practice of quoting one figure for the ‘top price ticket’, whilst topping this with an extra-expensive ‘premium’ priced … Continue reading

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What does the 25th Anniversary Concert of Les Miserables tell us about the recent history of Musical Theatre?

If you are in the West End, it doesn’t take long to see that there’s a marked difference between the way Musicals and ‘straight’ plays are promoted.  If you want to know who is in a play you only have … Continue reading

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Welcome to Rage Offstage…

 …Because audiences have feelings too What better way to begin the New Year than with some very subjective ‘Awards’.  We don’t think you’ll find these anywhere else. The Germaine Greer Award for shameless waste of female talent: The producers of … Continue reading

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